I'm genuinely interested in my topic, even if I see its life in my hands ending with a ProQuest submission this spring quarter. It seems that some people in my internet circles think I have a cool topic, and might be interested to see what's up (and even comment? That may be asking for too much). Really, I need a bit of accountability, and to at least have the possibility that I'll be writing for people interested in what I'm doing for reasons other than being on my committee.
I got into musicology in the first place because classical music and the United States have a very strange relationship.* Learning about that relationship sheds a lot of light on classical music as a conglomeration of genres, and also on the US and its capacity for taste-making. I'm interested now in how the US is musically constructed through Coplandia, music that sounds like a watered-down version of Aaron Copland's populist ballets and chamber music. It works through film music history, something I didn't think I would find interesting but am now seeing as a gold mine. For me, the most self-aware instance of this was in John Williams's "Air and Simple Gifts," for Barack Obama's inauguration in 2009.
*Actually, that's a lie. I got into musicology because I wrote a hermeneutic analysis of the scherzo movement of Beethoven's A Major cello sonata for a music history class, and found that super fun. Don't ask me why.